Art and architecture
http://data.open.ac.uk/openlearn/art-and-architecture
is a Unit , Document

Outgoing links

Property Object
subject There are 32 more objects.
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Publisher The Open University
Dataset OpenLearn
Subject There are 9 more objects.
You can use the links at the top of the page to download all the data.
URL art-and-architecture
Locator art-and-architecture
Language en-gb
Published
  • 2010-02-09T00:00:00.000Z
  • 2010-02-09T03:37:50.000Z
License Licensed under a Creative Commons Attribution - NonCommercial-ShareAlike 2.0 Licence - see http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ - Original copyright The Open University
Type
Label Art and architecture
Title Art and architecture
Description
  • The Louvre was designed to house a great art collection for the people of France. Was there a plan from the outset to build a canon of work where the relationships between artists, their origins, their schools and faiths could be traced across centuries? And how did architect I.M.Pei persuade President Mitterrand to allow a pyramid to be built at the Louvre? The album goes on to explore how architecture can reflect relationships between different traditions. Two great buildings, Palladio’s church of the Redentore in Venice and Sinan’s Sokullu Mehmet Pasha mosque in Istanbul illustrate shared approaches to the purpose for which the spaces were designed. This material is taken from The Open University course A216 Art and its histories.<link rel="canonical" href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture" /> The iTunes U team. The iTunes U Team at The Open University produce audio and video podcasts<br />First published on Tue, 09 Feb 2010 as <a href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture">Art and architecture</a>. To find out more visit The Open University's <a href="http://www.open.edu/openlearn/ole-home-page">Openlearn</a> website.
  • The Louvre was designed to house a great art collection for the people of France. Was there a plan from the outset to build a canon of work where the relationships between artists, their origins, their schools and faiths could be traced across centuries? And how did architect I.M.Pei persuade President Mitterrand to allow a pyramid to be built at the Louvre? The album goes on to explore how architecture can reflect relationships between different traditions. Two great buildings, Palladio’s church of the Redentore in Venice and Sinan’s Sokullu Mehmet Pasha mosque in Istanbul illustrate shared approaches to the purpose for which the spaces were designed. This material is taken from The Open University course A216 Art and its histories.<link rel="canonical" href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture" /> The iTunes U team. The iTunes U Team at The Open University produce audio and video podcasts<br />First published on Tue, 09 Feb 2010 as <a href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture">Art and architecture</a>. To find out more visit The Open University's <a href="http://www.open.edu/openlearn/ole-home-page">Openlearn</a> website. Copyright 2010
  • The Louvre was designed to house a great art collection for the people of France. Was there a plan from the outset to build a canon of work where the relationships between artists, their origins, their schools and faiths could be traced across centuries? And how did architect I.M.Pei persuade President Mitterrand to allow a pyramid to be built at the Louvre? The album goes on to explore how architecture can reflect relationships between different traditions. Two great buildings, Palladio’s church of the Redentore in Venice and Sinan’s Sokullu Mehmet Pasha mosque in Istanbul illustrate shared approaches to the purpose for which the spaces were designed. This material is taken from The Open University course A216 Art and its histories.<link rel="canonical" href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture" /> The iTunes U team. The iTunes U Team at The Open University produce audio and video podcasts <br />First published on Tue, 09 Feb 2010 as <a href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture">Art and architecture</a>. To find out more visit The Open University's <a href="http://www.open.edu/openlearn/ole-home-page">Openlearn</a> website. Creative Commons BY-NC-SA 4.0 2010
  • The Louvre was designed to house a great art collection for the people of France. Was there a plan from the outset to build a canon of work where the relationships between artists, their origins, their schools and faiths could be traced across centuries? And how did architect I.M.Pei persuade President Mitterrand to allow a pyramid to be built at the Louvre? The album goes on to explore how architecture can reflect relationships between different traditions. Two great buildings, Palladio’s church of the Redentore in Venice and Sinan’s Sokullu Mehmet Pasha mosque in Istanbul illustrate shared approaches to the purpose for which the spaces were designed. This material is taken from The Open University course A216 Art and its histories.<link rel="canonical" href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture" /> The iTunes U team. The iTunes U Team at The Open University produce audio and video podcasts <br />First published on Tue, 09 Feb 2010 as <a href="http://www.open.edu/openlearn/history-the-arts/history/history-art/art-and-architecture">Art and architecture</a>. To find out more visit The Open University's <a href="http://www.open.edu/openlearn/ole-home-page">Openlearn</a> website. Copyright 2010